In this intensive seminar, we will approach the art and politics Japanese Meiji era (1868-1912), and navigate their complexity through separate case studies that are often transcultural in nature.
Continue reading “Aesthetics, Materiality, and Politics: An Intensive Introduction to Meiji Art”
Teacher: Tao PAN
Course Code: JK37004
This course is designed for the study foci “Knowledge, Belief and Religion” (KBR) and “Visual, Media and Material Cultures” (VMC) and consists of the following three parts:
Continue reading “Buddhist Art and Manuscript Cultures along the Silk Road”
Teacher: Suhyon KIM
Course Code: JK11005
In this graduate seminar, we will learn about various women documentaries and writings from the 1990s to present.
Continue reading “Cinema and Media Studies Seminar: Women and Documentary in East Asia and Documentary Writing”
Our introductory course explores the relationship between film and reality, with a particular focus on the evolution of documentary cinema, a genre that has long positioned itself as the most “authentic” and “reliable” means of engaging with the world.
Continue reading “Conceptualizing the Real: History of Documentary Cinema”
This course explores various aspects of contemporary Japanese philosophy (Post-World War II Japanese philosophy) by reading primary sources in English translation and discussing them in English.
Continue reading “Contemporary Japanese Philosophy in a Global Context”
Teacher: Martin Erwin ROTH
Course Code: JK39001
Digital games are widely recognized as a global culture. However, the term global remains vague in most discussions, to say the least.
Continue reading “Digital games in a transcultural perspective”
In this course, we will study one of the documentary film traditions, ‘Ecocinema.’ We will view seven films to watch during the eight weeks of this course, which covers various topics such as anthropocentrism, anti-anthropocentrism, stewardship towards little creatures, plastic pollution, urban generation and historical changes in PRC, and issues of race. In addition to observing the different themes in Ecocinema, we will pay attention to the wide range of stylistic variations in documentary film.
Continue reading “Ecocinema”
The objective of this seminar is to read and discuss some classical feminist texts of the 20th century (Beauvoir, Crenshaw, Depreciado, Gilligan, hooks, Lordre, Sedgwick, Shiva, Spivak, Ueno, etc.).
Continue reading “Feminist Theory”
Italian neorealism (1945-1952) was a crucial movement in film history, marking an aware move away from mainstream Hollywood filmmaking and focusing on realistic characters and stories.
Continue reading “Global Neorealism”